Exhibiting photographer has applied his art to Rapa Nui
The sorrow and the pity
The works in 'Impossible to Forget: The Nazi Camps Fifty Years After' are indirect yet powerful
By Robert L. Pincus - UNION-TRIBUNE ART CRITIC
SignOnSanDiego
April 12, 2007
Michael Kenna has an eye for spare, subtly beautiful scenes, which he has applied to places all over the globe – from Easter Island to Japan to his native England and even to his adopted home, San Francisco. In doing so, the widely exhibited and published photographer has crafted pictures with the idea of creating space “reserved for the viewer.”
Click here for complete article.
The works in 'Impossible to Forget: The Nazi Camps Fifty Years After' are indirect yet powerful
By Robert L. Pincus - UNION-TRIBUNE ART CRITIC
SignOnSanDiego
April 12, 2007
Michael Kenna has an eye for spare, subtly beautiful scenes, which he has applied to places all over the globe – from Easter Island to Japan to his native England and even to his adopted home, San Francisco. In doing so, the widely exhibited and published photographer has crafted pictures with the idea of creating space “reserved for the viewer.”
Click here for complete article.
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